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book reading reviews

The World of Ptavvs – Larry Niven

This book is part of a new mini project I’m doing over the next month or so which concerns re-reading. I’ll cover this in more detail in another post shortly but for now all you need to know is that I chose this book at random from a shortlist.

The World of Ptavvs is one of Larry Niven’s early books in the ‘Known Space’ universe. It opens with an alien, Kzanol, escaping from his ship which is about to crash by getting into a stasis suit which will keep him safe, with no time passing, until he can be rescued. Unfortunately that takes a rather long time, 2 billion years in fact. He is eventually dug up on Earth and is named the “sea statue” and becomes a cultural artifact. However when he is accidentally let out of the suit he wreaks havoc trying to find his other stasis suit in which he left a valuable tool. Kzanol is part of a race that enslaved other races using mind control and he uses that talent to try to recover the other suit.

I enjoyed this book. It’s short and a quick read and although, like all early Niven it’s not great on character, it has a lot of ideas. I’ve left out quite a lot in the description above. There’s a chase through the solar system, inter-system politics and possible war, a man who becomes convinced he is Kzanol and Pluto being set on fire. It’s also very interesting how primitive some of the future tech is. They have spaceships with fusion drives but the on-board entertainment is a video game which involves connecting lines between grids of dots on a screen.

In a reflection perhaps of when it was written (1966) the politics surrounding who gets to have and control what’s in the second suit take on a kind of Mutually Assured Destruction aspect.

As for the re-read aspect I’m not going to comment on that now but I made various notes.

7/10 – big ideas and a fun romp through space, if a little dated.

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The Wee Free Men – Terry Pratchett

So… Discworld #30 (there are currently 39) so hurray for progress! Maybe I’ll catch up by the end of the year.

Wee Free Men concerns a young girl, Tiffany Aching, who lives in a sheep-farming part of the Disc known as The Chalk. He grandmother was a wise if somewhat awkward old woman who knew a lot about sheep. Tiffany stumbles upon evidence that another world is about to collide with the Disc. It’s not going to be pretty and someone needs to do something. Tiffany decides that someone will be her.

Along the way she’s aided by the Nac Mac Feegle, who are the Wee Free Men of the title. We first met these in Carpe Jugulum and they are, I suppose, entertaining though I could never quite get over the obvious stereotype they draw from.

Wee Free Men is another Discworld YA book and again I had the feeling it wasn’t aimed at me. Doubly so because the protagonist is a young girl and there’s a lot in there about not being taken seriously because you’re a) a girl, b) smart/bookish and c) not interested in being a girly girl. All of which is fair enough and a great thing for its target audience, it’s just not who I am, obviously.

That said I did like Tiffany. I also liked her grandmother, who was similar to but identical with Granny Weatherwax (who makes a brief cameo). It’s no huge spoiler to say that a large part of the book took place in a world where dreams and reality inter-mingle and I felt like I’ve seen that done a lot better, including by Mr Pratchett, before. I did however like the the scene where an over-indulgent queen gives a small child every kind of sweet he could ever want, and he freaks out because as soon as he chooses one he’s automatically not choosing any of the others – which is kind of how I feel about choosing the next book to read 😉

7/10 – a Discworld book about witches – therefore fun.

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Bad Things – Michael Marshall

Bad Things is the book I alluded to in my review of We Are Here – it’s the book where we first meet the character of John Henderson. So having finished We Are Here and having enjoyed it and that character in particular I thought I’d go straight back and read this. One of the nice things about the way I’m reading at the moment is that I can do this and it’ll not make too much of an impact on other plans because I’m getting through books at a reasonable rate. Also the detours are fun.

Bad Things begins with a very bad thing indeed. John’s infant son, Scott, is out playing by the lake that their home looks out over. He’s on the jetty leading out onto the water when John watches him simply collapse and fall into the lake. When John gets to him the boy is dead, but not from the fall or by drowning, he somehow just died.

It’s four years later and John is now a barman in a restaurant halfway across the country. He’s living alone, his marriage not surviving the trauma of Scott’s loss. However one day he receives an email which just says, “I know what happened.” John is drawn back to Black Ridge, where he once lived, and into a mystery concerning the town itself and what really happened on that jetty.

I enjoyed this book. Not perhaps quite as much We Are Here and that’s possibly because this is darker. It reminded me very much of Stephen King with its isolated semi-rural setting and mysterious dark powers that seem to influence ordinary people’s lives. It’s also possibly because the John Henderson of this story is more troubled, less calm and frankly more of a badass, than the one in the later book. That’s possibly because his son’s death is obviously such a huge part of his experience and it’s through the events of this book that he reaches some sort of peace about it.

The story is quite involved and I had a little difficulty keeping track of all the characters. There was a storyline involving people from the town where he was working at the restaurant, and whilst it connected up with everything else in the end, I could have happily lived without it.

The book has that sense of brooding menace of something nasty lurking in the dark that makes it a compelling, if unsettling read.

7/10 – not one for the squeamish or timid, but definitely a good read.

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We Are Here – Michael Marshall

I chose this book because well it was just coming out and I thought it would be nice to review something current for a change. Also it appeared to be a stand-alone and not part of a series like the Straw Men trilogy so it wouldn’t matter that I hadn’t read all his back catalog yet. That turned out to be not quite true (see below).

This is a hard book to review because it’d be so easy to spoil it and I don’t want to do that. I also don’t want to hide most of my review behind spoiler tags so…

We Are Here mostly centres around two couples. David and Dawn are a writer and his teacher wife who go into New York for the lunch that seals his first book deal. It’s a big day for them but on the way home David accidentally bumps into someone in the street. Someone who then follows him to the station and asks him to “Remember me”.

The other couple are John and Kristina. A waiter and bar-maid at an Italian restaurant who’ve been together about 6 months and are at the stage where they are about to either get more committed or possibly split up. Kristina’s new friend from her book club has seemingly acquired a stalker and asks John and Kris for help.

Both these stories concern encounters with people who live in a kind of parallel world. They are there in the background of our lives but often go unseen or unnoticed. But something is changing. They are coming out of the shadows…

I could talk more – vaguely and circuitously so as not to spoil – about the plot but I won’t. Let me talk instead about tone and themes. This is a book about regret, about loss of friendship and the way we forget people. It’s also about what it means to really live in a place and be part of someone’s life. In that sense it deals with some universal and weighty themes and does so well I think.

However it’s not a ponderous literary novel. It’s a thriller. It reminded me of Stephen King in places, which is a compliment. I enjoyed several of the characters. The author writes a middle-aged lady with nine cats who lives in a trailer – and he manages to make me really like her 🙂

It’s not perfect. I think it could have been shorter. Particularly in the middle section where dramatic irony is stretched to the breaking point. Also, I was going to complain that there was an un-fired Chekov’s Gun in the form of very significant events from one character’s past which are mentioned more or less in passing but never really dealt with. However it turns out that this character, and these events, are from a previous book. Also they are mentioned because they affect who this person sees and interprets events in this story, so the gun is fired – it just has a quieter bang than you might think.

Anyway it all comes together in the final part of the book and we get a dramatic action-y ending. It left me feeling I’d enjoyed the ride.

8/10 – a thriller with more than a touch of the mysterious about it.

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Fool Moon – Jim Butcher

Fool Moon is the second in the Dresden Files series of books. It’s fair to say that I’ve seen enough I liked in book 1 to stay with this franchise for a while. There are now I think 14 books and I’ve heard they get a bit repetitive later on but we’ll see how far I get.

With the title it’s perhaps not surprising that this book concerns werewolves. A gruesome series of murders occur on and around the full moon and Harry Dresden is called on for his supernatural advice. Actually at the beginning of the book he knows almost nothing but we learn as he does. There are apparently five different types of creature that could go under the category of werewolf and in this book we meet most of them. The plot concerns which of the various types (if any) committed which of the various murders (are they all from the same perpetrator?) and of course why?

There’s also more in this book about Dresden’s on-going story. We find out a bit more about his past, we see him move on in one relationship whilst apparently getting a bit stuck in another. Also, even though this is only book 2, patterns are developing. Once again Harry gets beaten up a lot. So much so that we have at one point need of a supernatural explanation of how he can keep going at all – properly set up so it’s not pulled out of thin air. Once again Harry has to go it alone and despite his status as sometime consultant to the cops is suspected of the crimes he’s investigating. So some of this already feels like it’s giving us more of the same. However there are signs that this will change in future books. A character that I’d assumed was going to be one of the mainstays of the series got killed off. Also he makes a decision to be more open with his police friend Murphy – which is good because the whole “I can’t tell you what’s going on because of the Mystical-Law-Reason” might be plausible enough but it leads to a fake-feeling kind of dramatic tension – a bit like when a sitcom’s plot is based around a misunderstanding that would be resolved in two minutes if only characters would TALK TO EACH OTHER.

Oh and it also had a dream sequence. I’m not a fan of dream sequences. They’re generally an excuse to be self-indulgent with imagery or deliver up a character’s motivations without having to dramatize them. But there are worse examples of that than the one in this book.

Another pattern-y[*] aspect is that these books are looking very much like detective/police procedurals with fantasy/supernatural set dressing. The bad guys are likely supernatural beasties and in place of CSI tech we have spells and summonings but structurally they work the same way. The question is whether you enjoy the scenery. I think I do (I like the PC Grant books and the same could be said of them) but I also think it’s because Butcher executes that structure as competently as he does that they work. I suspect he could right ‘straight’ crime novels which were just as compelling.

He does write the action sequences well. There’s a scene in a police station which is gripping, frightening and exciting. He manages to make me interesting in a trope – werewolves – that I’m not generally drawn to.

So I did enjoy this. It was “pattern-y” at times but I still enjoy Dresden as a character and there appears to be development there too – both in terms of exploring his back-story and the way his personal ‘arc’ is unfolding.

8/10 – a police procedural with plenty of supernatural splatter.

[*] i.e. formulaic, but I didn’t want to use that word as it carries more of a pejorative overtone than I intend.

P.S. given the title can’t get this completely unrelated song out of my head.

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So Much Blood – Simon Brett

This is the second Charles Paris story. I bought this together with the first a while back. As I said at the time I was drawn to these by the undeniable charisma of Bill Nighy in the radio adaptations.

It’s summer 1974 and Paris has taken his one-man show to Edinburgh Fringe Festival as a last minute replacement for part of an University Drama Society’s line-up. During rehearsal of one of the other plays an actor is fatally stabbed by what should have been a fake knife in a horrible accident. Or was it an accident.

I’m not sure what to say about this that I didn’t say about the last book. It definitely works as a ‘cozy’ mystery and Paris is a likeable protagonist/investigator. I felt at times that some of the other characters were only fleshed out enough to give them potential motives or a place in the plot. I also felt that the switch between Charles the actor and Charles the investigator was a bit blunt at times and you would have thought that more of his colleagues and associates would have said, “hang on why are you questioning me?” I guess that’s just a convention of the genre that once a character falls into that role we accept that they are able to quiz the other players to some extent. So an effective, if mechanical mystery structure.

The story certainly has enough twists to keep you guessing and enough of Charles, his wit and his love-life to amuse but I guess I did find it a little lacking. It is short though. At under 58,000 words even I read it in a day (~4 hours in fact). It did feel a little dated, the sexual politics more than anything, but not so much that I couldn’t relate.

With so much to read I don’t know if I’ll read any more Paris.

7/10 – a actor’s life that seems to be all about death.

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Storm Front – Jim Butcher

Being a Buffy fan I’ve long been at least vaguely aware of the name of Harry Dresden. When the Dresden Files TV show was announced I think James Marsters name was mooted to pay him – probably mainly by Buffy fans to be fair though. For some reason I was never that keen to catch up on this franchise. Maybe for a time I wasn’t really into reading/watching supernatural stuff. I did read a lot of straight crime fiction for a while there. Anyway the idea came back around again, partly through seeing Jim Butcher on Geek and Sundry’s StoryBoard discussion stream. On an impulse the other day I started to read the first page using Amazon’s “Look Inside” feature and well… here we are.

Storm Front is the first of the Harry Dresden novels. Dresden is a modern day wizard in Chicago. He’s a wizard for hire and he essentially works as a P.I. One day he’s approached by a woman who wants him to investigate the disappearance of her husband. At the same time he’s helping the police with an investigation into a particularly brutal and baffling murder. Meanwhile his own actions are being monitored by the White Council, which is the (good) wizards ruling body and is not exactly Dresden’s biggest fan. With all this going on and possibly the emergence of a mysterious new, very powerful magic practitioner it’s all starting to look very busy, and dangerous for Harry.

I have to admit that despite the renewed interest I started off sceptical as to whether I would like this book. At first my preconceptions seemed to be borne out. Some of the supernatural jargon felt twee (‘Nevernever’ for the magical realm) and it felt like it was trying too hard to invoke the twin genres of hard-boiled detective noir and supernatural fantasy (I’m not sure whether the term Urban Fantasy had been coined yet when this book came out in 2000). But I have to admit the book won me over.

There were two reasons for that. First the story builds very well. It’s not slow paced to begin with but it definitely ramps up a few notches by the end. So it had the page-turning plot thing covered.

The second reason was Dresden himself. The character is likeable. He seems like the hard-bitten P.I. cliche on the surface (Marlowe as a Mage?) but the internal monologue you get helps you see past the wisecracks to someone much more complicated, with vulnerabilities and his own fears and issues, and a past. He also gets the crap kicked out of him in various magical and mundane ways and that tends to get you on a character’s side. Not just that you feel for him but that when he’s been beaten down and is apparently out of options he tends to react with a defiant resolution to fight back.

So yes I enjoyed this book and yes I will be reading more of his adventures.

8/10 – a tale of a supernatural P.I. (but not the one about the Vampire with a soul 😉 )

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Downbelow Station – C.J. Cherryh

Downbelow Station is Sword and Laser’s March book pick. I’d read Jan and Feb’s so I thought I’d continue. Plus it looked good.

Downbelow Station takes place in 2352/3 in a future history where space has been colonized but mostly through space stations. Downbelow Station,  orbiting the world of Pell, is one of the few attached to a life-supporting world. Most of the action centres around Pell/Downbelow (the terms are used interchangeably for both the station and the planet) but also takes place in space. The main players are the Earth Company – which is the company that initially began exploration and colonization and is involved in trade, the Company Fleet who are now acting somewhat independently of the Company itself, the Union Alliance – a break-away group of colonies at war with the Fleet (and to a lesser extent the Company) and then a motley group of merchanters who just want to trade and make money with whomever will deal with them. Oh and Pell station itself who is attempting to be independent but as the book begins, and the boundaries between Earth and Union space are being re-drawn, finds itself at the strategic centre of pretty much everyone’s plans.

I want to say I enjoyed this more than I did because it has some very good elements. If you enjoyed the kind of complex SciFi story, where different factions are presented with their pros and cons and there’s not necessarily clear lines between heroes and villains, something that deals with the gritty realities of space war and the mundane, as well as the macro level politics and economics of it – something a lot like say the rebooted Battlestar Galactica say, then there’s a good chance you’ll enjoy this. It has all those elements and Cherryh wields them well into a compelling story.

But. There had to be a but. There’s something about her writing style, her sentence construction, that threw me off. I can tell you because I measured it (yep the spreadsheet is back with a vengeance) that my reading speed halved from its normal level during the reading of this book. In fact I took a decision early on to “power through” and pretty much read it in a couple of days last weekend, partly because I was worried that if I put it down for any length of time I wouldn’t pick it up again.

Now not everyone will feel this way. Some will enjoy her prose no doubt, but I do know from the S&L Goodreads group that I’m far from the only one with this problem. Which is a shame because I think there’s a great story there but for me it was like wading through treacle to get to it.

One unrelated issue I had with this book was the portrayal of the book’s aliens, the Hisa or Downers. They are a race of primates, a little smaller than humans that are indigenous to Pell. They are less intelligent than humans, have a simpler culture and seem to be wholly subservient to them, happy to become lower status workers on both the planet and the station. Whilst they have their own culture and language we mostly hear them speak broken English (humans generally haven’t mastered Hisa speech), and even in scenes where only Hisa are present their language seems simple which is what makes me think we’re supposed to see them as less intelligent.

Whilst in one sense they are alien and it’s just as plausible that a race like the Hisa could exist as some super-intelligent cosmic overlords – the way they are presented, the way they interact with humans, their simple but profound spirituality, the way their personalities are largely interchangeable and they seem to have no conflicts amongst themselves (and I mean even conflicts of opinion pretty much), the way they are treated by humans stands as an easy indicator of moral virtue (the patronising ‘good’ humans v the ‘bad’ dismissive and exploitative ones) – all this added up to a portrayal that looked very like the Noble Savage – and that left me uncomfortable.

But that aside the story was good, if you can make it through the language.

6/10 – there’s a good story there if you can see it.

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The Magicians’ Guild – Trudi Canavan

I read this book because Trudi was featured on one of the Sword and Laser’s video shows. She came across so well that I thought I’d like to read her work and so I did.

Sonea is a ‘dwell’ living in the slums of the city of Imardin. However one day, when the Magicians are assisting in their annual purge of the city she discovers she has a natural talent for magic. Of course Magicians don’t normally come from the slums, they come from the prosperous and higher class Houses. Those are the ones who have their children tested and sent to train at the Magicians’ Guild, not the dwells that everyone looks down on. Then there are those like the Thieves to whom a magic-user outside the control of the powerful Guild could be a useful thing. So from that small beginning Sonea finds herself at the centre of a search from those who are interested in her, or her latent powers. To complicate it all she witnesses something that may reveal a conspiracy going to the very top of Imardin society.

The first thing to say about The Magicians’ Guild is that it’s the first part of a trilogy. And as Canavan says in the S&L interview, it’s a trilogy that started out as a single book but grew too large. You can tell. It’s relatively slow-paced and things are just starting to get interesting when it finishes. Not that there isn’t stuff here that I enjoyed, definitely some characters I’d like to see more from, but I enjoyed it more in a way that made me want to read the next book.

7/10 – Part 1 of what looks like it’ll be a good story.

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Gates of Eden – Ethan Coen

Gates of Eden is a short story collection by Ethan Coen of the Coen Brothers movie-writing-directing fame. I bought it in around 2000 I think and as is much easier with books of short stories (and fairly easy for me with books of any kind) abandoned it after it didn’t seem to be quite what I thought it might be.

However my current practice is to have a short story collection on the go at the same time as reading whatever current novel I’ve got so that I’ve got an alternative if I’m not into the novel, but one which won’t involve having to keep up with two longer story-lines at once.

I’m not sure what I was expecting. I suppose I was hoping for something along the lines of the Coens’ better (or my favourite of their) films. In a way that’s what I got. Some of the stories were very dialogue heavy – there were several from first person POV and a few that were literally scripts – and the dialogue had that quirky interesting cadence to it. Also similar themes to some of the movies – people involved in the lower levels of the crime world, or just the odd corners of society. A couple were more a ‘slice of life’ from a Jewish-American perspective, which while interesting didn’t grab me because of the lack of a story per se.

So there was stuff to like here but I wasn’t overwhelmed. Mind you, if I saw the Big Lebowski today, for the first time, I’m not sure it would have as big an impact on me. What seemed quirky and fun when I was younger might seem a bit sadder now that I’m close to the Dude in age.

6/10 – mostly a curiosity or one for the Coens completist.