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A Whedon-less Buffy Film? Why Not?

In case you haven’t heard the rights-holders to the Buffy franchise are thinking of “rebooting” Buffy with a movie – without involving Joss Whedon. It wouldn’t star Sarah-Michelle Gellar and familiar characters like Willow, Giles and Xander would not be in the script.

And I think it might not be bad idea.

Heresy? Unthinkable? Me, a self-proclaimed fan of all thing Whedon suggesting that this travesty not only be allowed to continue but that it might actually be a good thing?

Well almost.

Heresy is Good

At the very least I think the unthinkable should be thought about and that contemplating heresy is good for the soul every now and then. One of my favourite Depeche Mode songs is “Somebody” which describes the kind of person the singer is looking for and includes the lines:

Someone who’ll help me see things
In a different light
All the things I detest
I will almost like

I think it’s a truly valuable thing to be able to sympathise with a radically opposing viewpoint. To understand how someone could get there even if you couldn’t yourself.

So that’s the first thing.

Getting Films Made is Hard

Film-making is probably hard. In fact I’m pretty sure it is. But from the little I know and have heard/read that’s nothing compared with actually getting them made in the first place. Most films never get made. Most professional screenwriters have sold scripts that’ll never see a screen. Most actors and directors – big names with a successful track record – have projects that they’ve never quite managed to get made. And of the tiny number that do get made, most are unsuccessful – critically and financially. Remember Sturgeon’s Law – 95% of everything is crap.

That’s the second thing. Try to keep these in mind when thinking about the possibility of a Buffy movie.

Not Giving The Fans What They Want

There have of course been rumours of a Buffy movie for years. And they’ve been just that – groundless rumours, based not on real facts but speculation and fan longing. I can understand this. I too felt a loss when Buffy ended. I can understand wanting there to be more.

But that’s the very reason I never wanted to see a Buffy movie (though of course I would have gone to see one if it had been made). Because I love movies and have done since long before I ever heard of the idea of Vampire Slayers. A Buffy movie would have been more of the TV show and TV shows are not movies – one is on-going stories, dealing with big themes but examining them on an everyday scale in sometimes minute detail. The other is epic and grand with sweeping huge brushstrokes.

Trying to make a movie that fulfils the longing of fans to see “more” of their show and yet works as a movie in its own right is nigh on impossible. Joss almost succeeded with Serenity – I mean creatively it does work in both those ways but it was only a moderate box office success and made money on DVD and largely due to the buy-everything-Whedon fan behaviour.

Joss famously[*] said once that he “needed to give the fans what they need and not what they want.” He was referring to the fact that he couldn’t let the desires of fans to see certain outcomes in the on-going Buffy story dictate where that story went. It was creative suicide and it was actually less satisfying to those same fans in the end.

At least that’s how I’ve always read this comment.

Well not giving them what they want at this stage means not just not giving them a particular romantic coupling or other given story outcome – but not giving them “more Buffy” in the form of a movie that’s trying to carry on its back the weight of a 7-series TV show.

So Buffy needs to be left alone. Left in peace to fade gracefully in our collective memory.

A Different Approach, A Point of View. Different is Good.

…or it needs to be rebooted. Re-imagined. By someone far enough away from all the things that have been done with the franchise already to see it with fresh eyes. Already there are hints in the article that they would go darker, more of a genuine horror experience.

So no Xander, Willow or Giles – they’re all too comfy. It might even not be Buffy but another Slayer. Betty. Bertha. Belinda. Or Martha. OK – probably not the last one.

Whether this will lead to anything good who knows? But it’s an interesting idea. It might spark something strange and wonderful. Or it might just be a curate’s egg.

What about Joss?

Joss doesn’t need Buffy. He’s got other ideas. Newer, fresher, dare I say, better ideas. If I ever doubted that Dr. Horrible confirmed it. Dollhouse started weak but got better and better.

Sure he still has Buffy stories left in him – but he’s got the perfect medium for that in the comic books. It’s an on-going episodic form, similar to the TV show.

Besides what he really needs is to be allowed to make great TV and Movies and I can’t help feeling that being associated largely with an ultra-loyal and sometimes not-so discriminating fanbase kind of gets in the way of that.

But What About the Fans?

What about the fans? Don’t they deserve something? Anyway isn’t it crazy to take something so beloved and take away the thing that made it beloved? On a pure business level surely you want, you need, to please the fans?

No.

The Firefly fans were the most rabid of an already fearsome fanbase. They were as dedicated to their cause as any evangelical cult member. They tried their best to spread the gospel  of Firefly-ness and Serenity. They went to see the movie multiple times, bought up extra tickets to give away, trying to convince everyone and anyone of its goodness. They did all this and yet they still couldn’t make the movie a hit.

The thing about Buffy is that it always managed to have a bigger cultural impact than was reflected by its core audience. References to Buffy, “the Scooby Gang” and “Buffy-esque” dialogue still crop up all over the place. There was an audience of casual viewers that had seen the odd episode and knew it was good. They were not fans but enjoyed it when it was on. They were also slightly put off by the really obsessive fanboys and girls.

Oh and there are millions of them.

All of which means that using the Buffy name, the “brand” to bring in the general populace could work even if you piss off the fans.

It could just work.

But it probably won’t – because even though this is not a groundless rumour, most movies don’t get made and of the ones that do, most aren’t any good. But I’m more stirred by the idea of someone else having a go at a reboot than more of the same. Leaving Joss free to do new things.

OK you can burn me at the stake now.

[*]For values of “famous” scaled to fit the relatively small world of Buffy online fandom. i.e. not very.

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reviews TV

Dollhouse Catch-up 1.02-1.04

You may have noticed I haven’t blogged about Dollhouse since the disappointing opening episode. That’s mostly because I lacked the enthusiasm to even watch the episodes never mind write about them. However I finally got around to it and the good news is the show is definitely improving.

So without further a do:

1.02 “Target”

"Run Joss, run!"
"Run Joss, run!"

Target is a variation on the old idea of someone hunting a human being. From other reviews and comments I’ve heard that this  references something called “The Most Dangerous Game” which may well be the first but is certainly not the only use of this idea.

It’s a bad habit but I found myself second-guessing the plot twists and wondered if this client had paid for the hunt (but was expected to avoid an outright kill). Instead the twist was that the hunter didn’t exist, he was an assumed identity. That fits with the overall Dollhouse theme but wasn’t quite as satisfying.

Target had a bit more of the Whedon-style dialogue – as expressed through Stephen DeKnight.

Overall it was a better episode that the first, and a decent-ish version of a well-worn idea, but nothing new or radical – 6/10.

1.03 Stage Fright

Anyone seen my career?
Anyone seen my career?

OK now it starts to get a bit more interesting. This time Echo is being a back-up singer (and closet bodyguard) for a pop diva who has a crazy fan out to get her. Not a scenario that attracts me on paper but it was well done. In particular I liked the feisty-ness of Eliza’s character in this one.

It also had a couple of plot twists I didn’t see coming. I liked the idea the Echo sees deeper into the assignment than her handlers had expected – that she need to protect Rayna from herself. This singles out Echo as something special.

The writers continue to have fun with the themes of the show with the dialogue about being “grown in a lab”. They also have a gentle dig at the fans with this:

Are you a fan Mr Dominic?

I’m sorry?

Rayna, do you like her music?

I’m not sure being a fan has very much to do with that

Whedon has teased the fans about this kind of thing before – notably in Angel’s third season “Waiting in the Wings” or, I suppose, the whole of Buffy season six with the nerd trio. But it’s always affectionately done.

The reveal of Victor as an active was a surprise and I guess that’s going to be an ongoing issue with this show – who’s an active?

After watching this my thought was, it’s a very good episode of a certain kind of show – but is it the kind of show I like? Anyway still enjoyed it, Eliza can sing – 7/10.

1.04 Gray Hour

"...and there's absolutely no chance of bring back Tru Calling?"
"...and there's absolutely no chance of bringing back Tru Calling?"

With the frankly ridiculous opening of Echo as a midwife half-way up a mountain, the show neatly identifies a problem with the show’s core concept – why not just hire the best expert in a field you can find? The super-rich certainly have the money to do that and it’ll be cheaper, easier and probably safer than relying on what is fast turning out to be some fairly unreliable tech.

Anyway, best to leave that aside for now. If I can live with the stupid idea that the best approach to fighting a global vampire threat is a single girl in one small town then I can certainly live with this.

Plus, I’m never one to harp on these technical details if the story’s good and here it is.

Well it is for me anyway because I have a weakness for heist stories. I loved “The Shroud of Rahmon” which many will tell you is an awful Angel episode.

A different character, different story, but again we have a feisty Eliza – at least for the first half of the story.

The thing that I found myself thinking during this episode is that I wanted to know what happens next. That’s gotta be good right?

More good dialogue

This one is broken.

Look who’s talking

I liked the use of Sierra and seeing the same “imprint” being used with her as the active.

It seems that, like Lost did for a while, they’re developing a habit of using a music-over-montage at the end of the episode.

Anyway, love a good heist story and this was one – 8/10.

General Comments

There’s been a lot of discussion of how Echo being a different character every week causes a problem because you’re not following the same character every week. I don’t think this is such a problem because we get that from the other characters and the ongoing story.

The format reminds me a little of Quantum Leap and that was very successful, ran for years and years.

I wonder whether it’s partly a reaction to the criticism Whedon has had about his shows being too “arc-y” that this one has a “story-of-the-week” written into the very format of the show?

Maybe the problem, if there is one, is that the metaphor – which is basically about what being an actress is like – is not universal enough.

Anyway – the show’s picking up – getting better with each episode according to my personal scale. Just in time to get really good before it gets cancelled no doubt.

Categories
reviews TV

Dollhouse 1.01 – ‘Ghost’

Dollhouse Dollhouse is the new TV show from Joss Whedon, starring Eliza Dushku. You may not have heard much about it, you certainly haven’t from this blog because I’ve been keeping a low profile. I’ve been deliberately ignoring hype and information for two reasons:

  1. I think I’ll enjoy it more with less pre-conceptions
  2. I think I’ll be less invested in it if it gets cancelled.

However it’s Joss Whedon and it’s the first new TV from him in a long time, virtually the first new anything. So I’d lying if I said I hadn’t been looking forward to it.

Unfortunately it’s not great. I mean it’s not great, not insanely fun and re-defining what you can do with the genre, it’s merely OK. At least that’s true of episode 1 – Ghost. I hope and pray (almost truthfully) that it will get better. All three of Joss’ previous TV series had merely ok eps, Angel and Buffy at least had some not good at all ones. So I’ve been trying to convince myself that it’s ok, that it can have a mediocre start and get better. I’m having a little trouble though because all his previous shows were better than this from ep 1. Even Firefly‘s “The Train Job” which was a re-tooled, and significantly less-good, pilot from the original two-hour Serenity – even that was better.

By now you’re probably thinking I hated it. I didn’t but let me put it this way. If you’d shown me this and I didn’t know it was from Joss I would never have thought he’d been involved. It had none of his humour or flair for dialogue. It pretty much just played it straight all the way through.

Unlike some other fans/reviewers I don’t see the concept – agents or ‘actives’ are programmed with personalities/skills, hired out and then have their minds wiped on return – as inherently a problem. I can see that it could mean there’s no chance for character development, that we’re watching Eliza play a different role each week and so it’s hard to care – but someone as smart as Joss will have thought of that.

I’m more worried that take away the Joss humour and edge and what you’re left with, on the evidence of Ghost, could be a ep of pretty much any lawyer/cop procedural – albeit with a scifi twist.

I’m writing this now, over a week after I watched it because I’m about to watch ep 2, “The Target“. I’ll report back soon as to whether it got any better.

Eliza wakes up

Almost forgot the most important part – 5/10

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Watch this it’s Fun!

Title says it all really. I was thinking to review it but it doesn’t need it. 3 x 13-15min episodes of a web-based super-villain musical. Created by Joss Whedon + family and friends. And it’s Joss doing what he does so well – reversing a well-worn concept, the good guy is really the bad guy and the bad guy is the good guy and there are fun songs and silly jokes. Plus Barney from “How I Met Your Mother”, Mal from “Firefly” and Vi from Chosen.

Watch out for the ending if you’re a Whedon newbie – but it’s just Joss doing what he does. Plus, I’m sure the story’s not over.

It’s available free online until midnight tomorrow and after that I think you need to pay to download it.

My favourite songs are “It’s a Brand New Day” and “On The Rise” both from ep 2.

UPDATE: It’s back online for free. Click here to watch now.