killer move – Only Mostly Dead

6000 Pages 2011, The Straw Men – Michael Marshall (pages 9520-10015)

(May as well get this out there now too)

After enjoying Killer Move so much I started reading The Straw Men as the next but one book. M. had raved about it to me years ago but I’d always avoided it due to potential gore, violence etc but having read Killer Move I figured I could handle it. Unfortunately it was the book I was reading when I went home to see my dad after his heart attack (he’s still fine btw) and somehow that created bad associations for me so I abandoned it and didn’t start again until a couple of weeks ago.

The Straw Men follows three story lines initially. There’s the latest victim of a serial killer known as The Upright Man, a teenage girl he has abducted and, if true to form, will kill within a few days unless someone can stop him. There’s the story of Ward Hopkins ex-CIA and ex-various other similar careers who returns home to deal with his parents death in a car accident only to find that things are not quite as they had appeared. Finally there’s the shadowy, possibly mythical organisation known as ‘The Straw Men’. Who exactly they are, what their aims are and how they plan to fulfil them ends up connecting the other two story lines.

This is another excellent thriller from Michael Marshall. I didn’t enjoy it quite as much as Killer Move but it’s still very good. In particular the plot is very clever, the way things join up, the way Hopkins for instance figures out something about his parents by the state they’d left their home in (which to all the world looks normal) was smart and satisfying if you like that kind of thing. Also the plot rattles along as you’d expect but still with enough space for characterisation and relationship. There are some tough moments violence wise, a little worse than Killer Move in my opinion (though still not up to David Peace gruesome). One of the worst was a description of what unedited news footage of a terrorist attack would look like. I think that affected me because I know that such footage exists.

I feel like I have to justify why I didn’t quite enjoy it as much as Killer Move. It’s M.’s favourite Michael Marshall book (her favourite ever book is his Only Forward written as Michael Marshall Smith). Anyway I think the reasons I preferred the later book are as follows:

I was slightly spoiled – partly by some indirect remarks of M.’s which I correctly deduced plot points from, but mostly by reading the blurb on the back of the next book in this series. If you plan to read this book stay away from The Lonely Dead (or The Upright Man in the US) as it mentions the big reveal on the back cover.
I preferred the hero of Killer Move. Hopkins was fine. He was sympathetic, clever and very competent. But he was also a little bit of a stereotype, the ex-military/cop/security services guy investigating some dangerous mystery. Bill Moore, as I said at the time was an ordinary annoying man thrown into a gradually more complicated and dangerous situation. Also Bill had a wife he loved and Ward was alone (in that sense, he had a friend/colleague).
One of the characters disses Buffy in the first few pages – ok mostly kidding about this. (mostly!)

Having said all that if I’d read it first and not known anything about it maybe I’d have preferred it. Either way it’s still a great read.

8/10 – another great crime thriller from MM(S).

One oddity worth mentioning. I read the ebook of this (as I do with most new purchases now) and the story ends, there’s a section of ‘Acknowledgements’ (thanks to …) and then a section which in the table of contents is called “ebook extra”. Thinking this was like a dvd extra, deleted scene if you will, I thought I could see why it wasn’t in the original. This was a kind of coda explaining more clearly what had happened and how various characters ended up – most of which you could infer from what had gone before.

Except that it was in the original. It came immediately after what I had thought of as the final chapter. The acknowledgements came after that. weird.

6000 Pages 2011, Killer Move – Michael Marshall (pages 4827-5182)

A couple of books ago I said it was easy to review a book that I’d hugely enjoyed. Here’s one I enjoyed just as much but it’s harder to review because, I think I don’t want to give too much away.

Killer Move is a novel by Michael Marshall, a name he goes by when writing crime fiction. When writing his earlier SciFi novels, such as Only Forward, he went by Michael Marshall Smith. And, when he wrote The Servants, which you’ll remember I also loved, he was M.M. Smith.

Anyway this is the first of his crime books I’ve read. I’ve avoided them partly because I knew that there was some fairly grim subject matter in the likes of The Straw Men. I carry around in my head that I don’t like such things but let’s be honest I’ve read and enjoyed Let the Right One In and 1974, and at least read 1977, all of which have material that’s as dark as any you’d find.

Still, the reason I picked up this book rather than the earlier crime ones was the intriguing blurb about it, and the fact that it didn’t on the face of it seem to be dominated by gruesome murders. And in fact that’s true. Mostly.

Killer Move is about Bill Moore, a florida realtor who’s ambitious and trying to push his career to the next level. He’s actually got a very nice life – a lovely home, a successful wife who he loves and enough money for a comfortable lifestyle – but he wants more. One day he receives a business card with the single word “Modified” written on it. From then on weird stuff starts to happen to him and slowly his life starts to unravel.

The thing I really like about this book is the way it slowly builds. Things happen at a pace that mean that initially it’s just intriguing, then gradually it becomes stranger, more involved, more dangerous until you’re in a full-on thriller. By the time the gruesome stuff shows up – and it does – it feels like you’re too wrapped up in the story to really worry about it. Plus it has become integral to the story anyway.

But it’s more than just the finely tuned mechanism of the plotting, it’s the slow reveal and/or evolution of Bill’s character. This is an ‘extraordinary things happen to an ordinary person’ type of story and what’s interesting is that the person he is at the beginning – obsessed with success, listens to self-help podcasts, reads positivity blogs and attends branding seminars – isn’t particularly likeable, but he slowly reveals himself to be more interesting than he first appears. I loved the main character of Stark in Only Forward, but I loved him from the first page with his dry wit and cool persona, Bill I grew to like as he both showed more of himself and was changed by the experience.

That’s what sets Killer Move apart from say a John Grisham thriller, though they share a clockwork precision of plot, the characterization. There are characters you sympathise with, ones you instantly like (like Stark), or dislike, or are appalled and intrigued by.

And there is some tough stuff in there but more of it is implied than seen. Certainly it doesn’t have that unrelenting grimness and all-humanity-is-scum feel of 1977.

It would also make a terrific movie.

My only quibble is the title – Killer Move is so generic as to be meaningless and it really doesn’t connect with anything specific in the book. There is an obvious one-word title but I suspect that it was rejected because it doesn’t say enough about what kind of book this is.

9/10 – an excellent gripping read and one that slowly builds up both tension and character development.